Friday, March 13, 2015Sunday, August 23, 2015

Related Murals

José Clemente Orozco
Revolutionary Trinity, 1923 – 1924
Fresco
Antiguo Colegio de San Ildefonso, Mexico City
Images courtesy of Antiguo Colegio de San Ildefonso
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014

José Clemente Orozco
Aboriginal Races, 1926
Fresco
Antiguo Colegio de San Ildefonso, Mexico City
Images courtesy of Antiguo Colegio de San Ildefonso
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014

José Clemente Orozco
The Workers, 1926
Fresco
Antiguo Colegio de San Ildefonso, Mexico City
Images courtesy of Antiguo Colegio de San Ildefonso
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014

José Clemente Orozco
Prometheus (central panel), 1930
Fresco
Frary Dining Hall, Pomona College, Claremont, California

José Clemente Orozco and Jorge Juan Crespo de la Serna
Centaurs (east panel), date unknown
Fresco
Frary Dining Hall, Pomona College, Claremont, California

José Clemente Orozco and Jorge Juan Crespo de la Serna
Zeus, Hera, and Io (east panel), date unknown
Fresco
Frary Dining Hall, Pomona College, Claremont, California

José Clemente Orozco
The Epic of American Civilization: Ancient Human Sacrifice (panel 3), 1932 – 1934
Fresco
Baker-Berry Library, Dartmouth College, Hanover, New Hampshire
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire

José Clemente Orozco
The Epic of American Civilization: The Departure of Quetzalcoatl (panel 7), 1932 – 1934
Fresco
Baker-Berry Library, Dartmouth College, Hanover, New Hampshire
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire

José Clemente Orozco
The Rebellion of Man: The People and Their False Leaders (left panel), 1936
Fresco
MUSA Museo de las Artes, Universidad de Guadalajara
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014
Photo by: José Hernández Claire

José Clemente Orozco
The Rebellion of Man: The People and Their False Leaders (central panel), 1936
Fresco
MUSA Museo de las Artes, Universidad de Guadalajara
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014
Photo by: José Hernández Claire

José Clemente Orozco
The Rebellion of Man: The People and Their False Leaders (right panel), 1936
Fresco
MUSA Museo de las Artes, Universidad de Guadalajara
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014
Photo by: José Hernández Claire

José Clemente Orozco
The Five Phases of Man, 1936
Fresco
MUSA Museo de las Artes, Universidad de Guadalajara
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014
Photo by: Oscar Ramírez García

José Clemente Orozco
Man on Fire, 1939
Fresco
Hospicio Cabañas, Guadalajara
Image courtesy of Instituto Cultural Cabañas, Guadalajara
Reproduction authorized by the Instituto Nacional de Bellas Artes y Literatura, 2014

Click on any image to enlarge the slideshow.
This exhibition includes studies for several of Orozco’s most well-known murals. The modest lines of his preliminary drawings take on bold emotion in final form as figures in mural cycles at the following institutions.


Dartmouth College, Hanover, New Hampshire

  • The Epic of American Civilization:
    Ancient Human Sacrifice (panel 3)
    , 1932 – 1934
  • The Epic of American Civilization:
    The Departure of Quetzalcoatl (panel 7)
    , 1932 – 1934

Pomona College, Claremont, California

  • Prometheus (central panel), 1930
  • Centaurs (east panel), date unknown
    (painted with Jorge Juan Crespo de la Serna)
  • Zeus, Hera, and Io (west panel), date unknown
    (painted with Jorge Juan Crespo de la Serna)

Universidad de Guadalajara, Mexico

  • The Five Phases of Man, 1936
  • The Rebellion of Man: The People and Their False Leaders (left panel), 1936
  • The Rebellion of Man: The People and Their False Leaders (central panel), 1936
  • The Rebellion of Man: The People and Their False Leaders (right panel), 1936

Instituto Cultural Cabañas
(formerly Hospicio Cabañas), Guadalajara, Mexico 

  • Man on Fire, 1939

Antiguo Colegio de San Ildefonso
(formerly Escuela Nacional Preparatoria), Mexico City

  • Revolutionary Trinity, 1923 – 1924
  • The Workers, 1926
  • Aboriginal Races, 1926

 

With thanks to: 

Fundacion José Clemente Orozco

Pomona College, Claremont, California

Hood Museum of Art, Dartmouth University, Hanover, New Hampshire

Instituto Cultural Cabañas, Guadalajara, Mexico 

Antiguo Colegio de San Ildefonso, Mexico City

INBA - Instituto Nacional de Bellas Artes y Literatura

Consulado General de México en San José

MUSA Museo de las Artes, Universidad de Guadalajara

 

< Previous Next >