Many of Raimonds Staprans’s paintings showcase the landscape and architecture of California as rooted equally in reality and in the artist’s imagination. Taut contours and bold hues define fields, marinas, lone trees, and architecture—all devoid of people—while scorching sunlight descends from skies of the deepest blue. His still lifes of fruit, artist’s materials, and chairs share a quality of light and rich color—sometimes a full prismatic spectrum—that imbue them with a pervasive loneliness. The assertive brushwork and traces of revision present in all his work remind the viewer that his chief reality is paint on canvas, his subjects formal elements in his process.
In The House Imaginary, the house is a lens through which artists explore memory, identity, and belonging in an increasingly itinerant world. The house can be a lightning rod in which social policies around immigration, homelessness, urban planning, race, and gender intersect with personal histories and fictions. After the horrors of World War II, theorist Theodor Adorno famously declared, “dwelling, in the proper sense, is now impossible…. The house is past.” He was claiming that personal security can no longer be considered apart from the systemic oppressions and omissions necessary to retain that security. This recognition is achingly urgent today in an era of global migrations, heightened awareness of inequalities, and San José’s own housing crisis.
The interactive learning labs in the Koret Family Gallery are a place to make observations, ask questions, and participate in creative experimentation. This installation reflects the math-focused curriculum of SJMA’s award-winning education program Sowing Creativity and includes artworks by Ron Davis, David Pace, Clare Rojas, Lordy Rodriguez, and Shirley Shor.
Crossroads: American Scene Prints from Thomas Hart Benton to Grant Wood focuses on early twentieth-century American culture and society through lithographs, etchings, and wood engravings. The fifty-seven prints in this exhibition, produced between 1905 and 1955, encompass a broad range of art styles collectively known as “American Scene.”