While the selfie can be considered a common version of the self-portrait genre, it is often a vastly different from the self-portrait in the hands of an artist. By blurring the distinction between reality and fantasy, artifice and authenticity, and public and private imagery, the artists whose work is included in This Is Not a Selfie carefully fabricate photographs that expand the domain of self-portraiture.
Our simultaneously abusive and dependent relationship with water has made it an international battleground not only of environmental issues, but also of humanitarian concerns. The Darkened Mirror complements the pristine waterscapes on view in the exhibition Fragile Waters by presenting recent work by international artists who address our conflicted relationship with water today. From their twenty-first-century points of view, they reveal an essential resource that is no longer merely threatened, but actively besieged: it is a troubling reflection of the contemporary moment.
In 1957, Louise Nevelson (1899–1988) installed one of her first “Sky Cathedral” sculptures in the lobby of her brother’s hotel, the historic Thorndike Hotel in Rockland, Maine. It hung there for ten years until it was acquired by the pioneering collectors of American sculpture Jean and Howard Lipman. The Lipmans displayed the massive wooden assemblage of black painted boxes in Howard Lipman’s Manhattan business office. Sky Cathedral (1957) became a central piece in the family’s collection when in the 1970s they moved to Arizona and built a new house to accommodate its monumental scale.
The interactive learning labs in the Koret Family Gallery are a place to make observations, ask questions, and participate in creative experimentation. This installation reflects the math-focused curriculum of SJMA’s award-winning education program Sowing Creativity and includes artworks by Ron Davis, David Pace, Clare Rojas, Lordy Rodriguez, and Shirley Shor.