De-Natured: Works from the Anderson Collection

  • William Wiley, Lame and Blind in Eden, 1969. Watercolor and felt tip on paper. 22 x 30 inches. Collection of Harry W. and Mary Margaret Anderson. Photo Credit: Ian Reeves.

  • Sam Richardson, Most of That Iceberg Is Below the Water, 1969. Plywood, polyurethane base, foam, polyester resin, fiberglass, polyester filler, lacquers. 10 x 14 x 14 inches. Collection of Harry W. and Mary Margaret Anderson.

     

  • Robert Rauschenberg. Earth Day, 1970. Lithograph. 25 1/4 x 33 5/8 inches. Collection of Harry W. and Mary Margaret Anderson.

  • Roy De Forest, Hans Bricker in the Tropics, 1974. Polymer on canvas. 93 x 72 inches. Collection of Harry W. and Mary Margaret Anderson. Photo credit: Lee Fatherree.

    Featuring works by artists such as Wayne Thiebaud, Roy DeForest, David Hockney, Vija Celmins, Ed Ruscha, Frank Stella, Louise Nevelson, and Richard Diebenkorn, De-Natured presented a sampling of the many ways that artists have engaged with their changing environments. At a time when we are increasingly “growing up denatured,” as one New York Times writer recently described the divide between urban and pastoral life, these artistic collisions with nature (or its absence) have much to tell us about our own relationships with the environment, both natural and urban.

    YouTube De-Natured Preview

    The San Jose Museum of Art is pleased to offer this audio tour to compliment your visit to the exhibition De-Natured: Works from the Anderson Art Collection. In it you will hear commentary by curator Heather Green, interviews with several of the artists in the exhibition, and insight into the collection provided by Harry W. Anderson himself.

    Sponsors

    • Deutsche Bank Private Wealth Management
    • James Irvine Foundation