(Re)Enacting Revolution with Dread Scott and Erin Gray
Dread Scott's recent large-scale art project, Slave Rebellion Reenactment, was a community-engaged performance reenacting the largest rebellion of enslaved people in U.S. history. Professor Erin Gray, UC Davis, will join him in conversation about art, revolution, and reenactments.
Reservation Link Coming Soon
About the Visualizing Abolition series:
This program is part of a series of virtual talks and events presented in conjunction with the exhibition Barring Freedom, co-organized by SJMA and UC Santa Cruz Institute of the Arts and Sciences (IAS). The online events feature artists, activists, scholars, and others united by their commitment to the vital struggle for prison abolition and are coordinated by the IAS in collaboration with Professor Gina Dent, feminist studies, UC Santa Cruz.
About the Speakers
Dread Scott makes revolutionary art to propel history forward. His work is exhibited across the US and internationally. In 1989, his art became the center of national controversy over its transgressive use of the American flag, while he was a student at the School of the Art Institute of Chicago. President G.H.W. Bush called his art “disgraceful” and the entire US Senate denounced and outlawed this work. Dread became part of a landmark Supreme Court case when he and others defied the new law by burning flags on the steps of the U.S. Capitol. Dread’s studio is now based in Brooklyn.
Erin Gray is a post-disciplinary cultural historian and political theorist who studies the relationship between politics, aesthetics, and critical theory. Her research interests include political violence and left counter-histories of genocide; visual and performance studies; aesthetics and experimental poetics; gender studies and feminist epistemology; critical race studies; the black radical tradition and critiques of racial capitalism; historiography and history from below; affect, sentiment, sensation, and biopolitics. Erin’s research is presently focused on gendered racial formations within the photographic history of global white supremacy.
Visualizing Abolition is organized by UC Santa Cruz Institute of the Arts and Sciences in collaboration with San José Museum of Art and Mary Porter Sesnon Art Gallery. The series has been generously funded by the Nion McEvoy Family Trust, Ford Foundation, Future Justice Fund, Wanda Kownacki, Peter Coha, James L. Gunderson, Rowland and Pat Rebele, Porter College, UCSC Foundation, and annual donors to the Institute of the Arts and Sciences.
Partners include: Howard University School of Law, McEvoy Foundation for the Arts, Jessica Silverman Gallery, Indexical, The Humanities Institute, University Library, University Relations, Institute for Social Transformation, Eloise Pickard Smith Gallery, Porter College, the Center for Cultural Studies, the Center for Creative Ecologies, and Media and Society, Kresge College.