Ranu Mukherjee is fascinated by the idea of the contemporary nomad and the experience of repeated relocation that is common for so many of us today. What better place than Silicon Valley—with its rich history of immigration, itinerant workers, dot-com booms and busts, and outsourcing—to explore this updated notion of the nomad.
Traditional versus cutting-edge, high-brow versus low-brow. A new generation of Mexican and Mexican-American artists is fascinated by these potentially contradictory concepts. The artists whose works are featured in this exhibition draw inspiration from Mexico’s deep well of visual culture.
Frank Lobdell conjures dreamlike landscapes of mystery and longing. His images—vibrantly colored and fantastical—are simultaneously mechanical, yet anthropomorphic. Though best known for his intense, brooding paintings and personal symbology, Lobdell has in recent yearsgiven color primary importance in his work. Frank Lobdell: Wonderland will examine the evolution of the artist’s work and the ways in which he organizes his forms and figures in space.
This Kind of Bird Flies Backward: Paintings by Joan Brown is the first in-depth examination of this beloved Bay Area artistʼs painting in over a decade. The exhibition is the first to explore Brownʼs art in the national context of the womenʼs movement: the movement paralleled her career, yet she has been largely excluded from its history.
Just as weather is made up of basic elements such as wind, cloud, rain, snow, fog and heat, works of art consist of line, shape, color, texture, and space. Possibilities are endless when artists use these formal elements, a wide variety of art materials, and their imaginations. Feeling brave? We invite you to look, play, draw, and build in the family gallery.
Like the legendary Silicon Valley “garage,” Beta Space serves as an experimental laboratory for artists, collaborative ventures, and catalytic ideas. In this first installment of SJMA’s new exhibition series, artists Kevin Appel and Ruben Ochoa rethink our everyday experience of the built environment.
Roots in the Air, Branches Below is a landmark exhibition, drawn entirely from private collections in the San Francisco Bay Area, and one of a very few surveys of modern and contemporary art from India in this country.
September 9 – December 30, 2012: Madison Museum of Contemporary Art, Wisconsin
Leo Villareal (born 1967 in Albuquerque, New Mexico) is a pioneer in the use of LEDs and computer-driven imagery and known both for his light sculptures and architectural, site-specific works. This exhibition, his first major traveling museum survey, seeks to place Villareal’s body of work within the continuum of contemporary art.
Wayne Thiebaud’s lushly painted glimpses of everyday life—from a slice of pie to a steep San Francisco streetscape—are icons of American Pop Art. This exhibition spans the course of his prolific career, from the early paintings he made as a young student to the vibrant beach scenes on which Thiebaud, now 89, has been working most recently.
For centuries, people have admired artists’ magical ability to depict reality—the virtuoso dab of paint that becomes a pearl in a Vermeer painting, for example. What is realism in the 21st century, when our world has taken on a virtual as well as physical dimension? Real and HyperReal contrasts traditional realism rooted in careful observation of our immediate, visible world with new riffs on realism that mirror the expansive realities of the information age.
