Breaking Ground: Gifts from Katie and Drew Gibson

  • A photograph of 4 wavy clear glass bowls that have edges tipped with pink. They are nested within each other and resemble a flower.

    Dale Chihuly
    Pink and White Seaform set with Pink Lip Wrap, 1982
    Blown glass
    14 × 17 × 6½ inches

  • A painting of a circular open stadium. There are 6 large lights and a green scoreboard on the edge. At the center is a green field surrounded by 3–4 layers of spectator seating. Around the stadium are city streets and freeways packed with cars.

    Chester Arnold
    Colosseum, 1998
    66 × 80 inches

     

  • Don Nice

    Predella, 1983

    Watercolor on paper 

    31 × 59 ½ inches

    Gift of Katie and Drew Gibson 

    Photo: Douglas Sandberg

    Katie and Drew Gibson, longtime supporters of SJMA, believe that culture is a big part of what makes a city important and meaningful. From the very early days of the Museum, when it occupied the old library, they dreamed of an art museum with a collection of national prominence and gutsy distinction. The Gibsons have helped the Museum realize its ambitions for some thirty years. A developer of commercial properties in San Jose, Drew was a driving force, alongside Averill Mix, in the capital campaign and the construction of the Museum’s impressive new wing in 1991. He and Katie made a gift to name the Gibson Family Gallery and, to date, have generously donated seventy-five works of art from their extraordinary private collection to SJMA, including visitor favorites such as Mildred Howard’s monumental Abode: Sanctuary for the Familia(r) (1994), known affectionately as “the bottle house.”

    This exhibition celebrates the Gibson’s legacy and their belief in sharing with the public the exhilarating experience that artworks bring. Highlights include works by California artists Robert Arneson, Nathan Oliveira, Raymond Saunders, and Richard Shaw, among others. Also on view will be a powerful sculpture by New Orleans artist Willie Birch, made in response to the harrowing 1992 “Rodney King” riots in Los Angeles; Maria Porges’s The virtues and vices of history, from the series “History Lessons” (1998); Mineko Grimmer’s Mahogany Music Box (n.d.); and the comical and subversive work of Donald Roller Wilson. In 2014, the Museum will present a separate exhibition of the Gibson’s gift of over thirty photographs by David Levinthal, an exemplary archive assembled with the artist that rivals the holdings of his work at the Metropolitan Museum of Art, New York, and the Los Angeles County Museum of Art.

    The Gibsons built their collection adventurously and independently, with a deep passion for art and a belief in supporting the work of living artists. These artworks were part of their daily lives and daily pleasures—and will now be enjoyed by Museum visitors for years to come.

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