Artists in Residence: San Jose's 20th-Century Vanguard

  • Stephen French
    Section, 1967
    Stereograph on paper
    28 × 26 inches
    Gift of Fletcher and Roberta Benton
    Photo by Douglas Sandberg

  • At first glance, it resembles a window being shaded from outside light. Upon closer inspection, it is a square, wooden frame with a piece of canvas being held by thin rope.

    Tony May
    Awning, 1966
    58 × 58 × 51 inches
    Canvas, wood, rope, and hardware 

  • A long wooden sign that flows to the ground. The text is in Spanish and the pieces of wood put together are in different lengths. Also, the wooden pieces have some chips and dents on them—they resemble reclaimed wood.

    Sam Hernandez 
    Dichos y Bichos II, 2007
    173 × 121 × 1 5/8 inches
    Walnut, sliver patinated bronze, gesso

  • Two vertical rectangles, separated and framed by a slate grey background. The rectangle on the left is a deep maroon. The rectangle on the right is a vibrant gradient—going from a bright, warm pink on the left to a deep red on the right.

    Fred Spratt
    Big Red #1, c. 1973
    70 × 6 inches
    Acrylic lacquer on aluminum
    Painting

  • Pensive portrait of the German playwright and poet. Turned toward the viewer, Brecht is holding a cigar, thumb to his chin. The details of his hair, bushy brows, and shadows around his nose and mouth are formed with stark black.

    Rupert Garcia
    Portrait of Bertolt Brecht, 1982
    42 × 29 inches
    Pastel on paper
    Drawing

  • Jacqueline Thurston
    Radiation Treatment, 1976
    4  × 4 1/2 inches
    Gelatin silver print on paper
    Photograph
    Gift of the artist, in honor of the San Jose Museum of Art's 35th Anniversary

    By the 1960s, San Jose was in the midst of rapid-fire transition from a small agricultural community to a sprawling metropolis. The tech industry was swelling, and by the end of the decade the population had grown five-fold. This era also brought to town a new, innovative community of artists, many of whom were recruited from across the country by San Jose State College (now San Jose State University). Fresh from top graduate schools and conversant with the radical artistic thinking of the time, this generation of artists brought new vitality and a proclivity for experimentation to town.

    These forward-looking artists all lived or worked in San Jose. They were instrumental to the establishment of the San Jose Museum of Art in 1969, in the midst of the counterculture revolution, and are part of the history of this Museum in many ways. Artists in Residence pays tribute to an inspiring, dedicated, and especially influential generation of San Jose artists who helped ignite the contemporary artistic life of the city, founded its galleries and artistic spaces, and fostered generations of students, artists, and collectors.

    Drawn exclusively from SJMA’s permanent collection, the artworks in Artists in Residence reflect an intrepid push to the vanguard. The works on view are as varied as the artists themselves, however. From the formalist abstract painters to the wry conceptual artists, these San Jose artists were forerunners in the field whose long careers are marked by a sense of continual aesthetic evolution.

    Included in the exhibition are works by Geoffrey Bowman, Rupert Garcia, Erin Goodwin-Guerrero, Sam Hernandez, Tony May, Gail Nanao, Harry Powers, Lynn Powers, Fred Spratt, and Jacqueline Thurston alongside new acquisitions by David Middlebrook and Stephen French. Their work continues to impress us, as do their longstanding contributions to the South Bay community and to this Museum.

    Sponsored by University Art, Eileen and Alfred Fernandes, and Deloitte LLP.