Water is very much on the minds of Californians after six years of drought. Fragile Waters celebrates this precious, essential resource and encourages dialogue about water conservation. One hundred and seventeen black-and-white photographs by three artists whose works span a century create a powerful collective statement. The exhibition will feature thirty-seven works by Adams— including rarely seen historic images from his family’s private collection—along with photographs by Ernest H. Brooks II and Dorothy Kerper Monnelly.
This exhibition is an experiment. Your Mind, This Moment: art and the practice of attention presents works of art as objects of meditation. With input from an advisory group of artists who are also meditators, the gallery will be designed as an intimate space that encourages quietude. Short guided audio meditations, created for this occasion by Bay Area mindfulness teachers, will be available for visitors. Related public programs will offer an array of opportunities to explore the intersection between the practice of looking and the increasingly widespread practice of mindfulness meditation.
As consumers, we are often oblivious to the humans who perform the hard, physical work that brings food to our tables. One champion of this labor force, the United Farm Workers (UFW), has fought for the rights of migrant farm labor since 1962. San Jose was home to the UFW’s founder, the well-known activist Cesar Chavez. In the fifth installment of SJMA’s exhibition series “Beta Space,” artist Victor Cartagena will collaborate with the Salinas chapter of the United Farm Workers Foundation to create new work that will spotlight the lives and stories of the people who help feed populations across the United States.
Diana Al-Hadid is fascinated by boundaries, where something begins and ends. How do we define a space—be it architectural, sculptural, or experiential? Drawing on a panoply of art-historical and scientific references, she explores the space between two-dimensional mark-making and three-dimensional sculpture, the imagined and the real, interior and exterior, belonging and alienation, the ruin and the yet-to-be-completed.
At first thought, artistic and scientific practice might seem unrelated: one is focused on expression, the other on data. Yet the similarities between the way artists and scientists work far outweigh their differences. The scientist’s laboratory and the artist’s studio are places where learning is achieved through open-ended inquiry, a never-ending cycle of thinking and doing, and the belief that failure is an inherent part of the process. This exhibition celebrates artists represented in SJMA’s permanent collection who thrive at the interface between art and science.