Calendar
This exhibition is the first in new series that features recent work by artist from Pacific Rim countries and cultures who explore new narrative territory using animation, digital techniques, video, and film. Plastic Life looks a the ways artists weave the past and the present; the local and the universal; the ancient and the futuristic.
Free admission to active duty military and their families.
The patterns of nature find reflection in the functions of human life—the motion of ocean waves echoes the measured inhalation and exhalation of breath; flower petals reach for the sun, unfurling and then collapsing, more slowly but similarly to the way a heart contracts and expands. The new media artists in this exhibition use technology to replicate these vital signs, but also to explore the inner source of life, those elements unseen but often sensed.
The artists represented in this exhibition grapple with the potential of technology as they “build their own world.” They re-purpose and manipulate technologies of the past and present in ways that range from playful to ironic to analytical.
Degrees of Separation illustrates a touchstone among photographers—the fragile nature of our connection to other human beings and to the world around us. Featuring several key new acquisitions, the story unfolds through images ranging from portraits to landscapes, grainy vintage snapshots to large-scale digtital photographs.
Leo Villareal (born 1967 in Albuquerque, New Mexico) is a pioneer in the use of LEDs and computer-driven imagery and known both for his light sculptures and architectural, site-specific works. This exhibition, his first major traveling museum survey, seeks to place Villareal’s body of work within the continuum of contemporary art.
Since it was devised by mathematician John Conway in 1970, the cellular automation the “Game of Life” has gained a cult following. Artist Leo Villareal has been inspired by the “Game of Life.”
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