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Lip and Bite Plate
1976
11 1/2 in. (29.21 cm)
Lynn Hershman Leeson (aka Lynn Lester Hershman) (Cleveland, Ohio, 1941 - )
Character Studies: Clay from the Collection (2015-2016)
Known for her pioneering use of new technologies, Lynn Hershman Leeson has worked in a variety of media, including photography, performance, video, film, sculpture, and interactive computer and Internet-based art. She often explores the mutability of identity and the interplay of gender, the body, and machines.
From 1970 to 1983, Leeson created performance works that focused on dining: “As presents for close friends, I prepared consumable dinner portraits/performances. Elaborate sets, props, music, menus, and plates were planned for the honored guest. Ceramic dishes were created for each dinner. Some included suicidal cups or plates with protruding porcelain tongues.” Leeson created ceramics such as Sleeping Lady Plate in her own likeness, to be used as serving dishes. By inserting herself within the ware, Leeson asserts her presence at the dinner table—part of her exploration of issues of female marginality and invisibility through the stereotypical act of a woman throwing a dinner party.
Renegade Humor (2012)
Known for her pioneering use of new technologies, Lynn Hershman Leeson has worked in a variety of media, including photography, performance, video, film, sculpture, and interactive computer and Internet-based art. She often explores the mutability of identity and the interplay of gender, the body, and machines.
From 1970 to 1983, Leeson created performance works that focused on dining: “As presents for close friends, I prepared consumable dinner ortraits/performances. Elaborate sets, props, music, menus, and plates were planned for the honored guest. Ceramic dishes were created for each dinner. Some included suicidal cups or plates with protruding porcelain tongues.” Leeson created ceramics such as (1976) in her own likeness, to be used as serving dishes.By inserting herself within the ware, Leeson asserts her presence at the dinner table—part of her exploration of issues of female marginality and invisibility through the stereotypical act of a woman throwing a dinner party.
Character Studies: Clay from the Collection, October 3, 2015 - February 7, 2016, New Wing, Second Floor, North Gallery, San José Museum of Art.
Renegade Humor, February 3, 2012 - July 8, 2012, New Wing, Second Floor, Central Skylight and South Metro A Galleries, San José Museum of Art.
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by Object Type (2)
Lip and Bite Plate
Sculpture
197611 1/2 in. (29.21 cm)
Lynn Hershman Leeson (aka Lynn Lester Hershman) (Cleveland, Ohio, 1941 - )
Object Type: Sculpture
Medium and Support: Glazed ceramic
Credit Line: Gift of Jerry Lutovich M.D.
Accession Number: 2009.09.02
SJMA Label Text
Character Studies: Clay from the Collection (2015-2016)
Known for her pioneering use of new technologies, Lynn Hershman Leeson has worked in a variety of media, including photography, performance, video, film, sculpture, and interactive computer and Internet-based art. She often explores the mutability of identity and the interplay of gender, the body, and machines.
From 1970 to 1983, Leeson created performance works that focused on dining: “As presents for close friends, I prepared consumable dinner portraits/performances. Elaborate sets, props, music, menus, and plates were planned for the honored guest. Ceramic dishes were created for each dinner. Some included suicidal cups or plates with protruding porcelain tongues.” Leeson created ceramics such as Sleeping Lady Plate in her own likeness, to be used as serving dishes. By inserting herself within the ware, Leeson asserts her presence at the dinner table—part of her exploration of issues of female marginality and invisibility through the stereotypical act of a woman throwing a dinner party.
Renegade Humor (2012)
Known for her pioneering use of new technologies, Lynn Hershman Leeson has worked in a variety of media, including photography, performance, video, film, sculpture, and interactive computer and Internet-based art. She often explores the mutability of identity and the interplay of gender, the body, and machines.
From 1970 to 1983, Leeson created performance works that focused on dining: “As presents for close friends, I prepared consumable dinner ortraits/performances. Elaborate sets, props, music, menus, and plates were planned for the honored guest. Ceramic dishes were created for each dinner. Some included suicidal cups or plates with protruding porcelain tongues.” Leeson created ceramics such as (1976) in her own likeness, to be used as serving dishes.By inserting herself within the ware, Leeson asserts her presence at the dinner table—part of her exploration of issues of female marginality and invisibility through the stereotypical act of a woman throwing a dinner party.
Exhibition
Character Studies: Clay from the Collection, October 3, 2015 - February 7, 2016, New Wing, Second Floor, North Gallery, San José Museum of Art.
Renegade Humor, February 3, 2012 - July 8, 2012, New Wing, Second Floor, Central Skylight and South Metro A Galleries, San José Museum of Art.
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Dimensions
- Sculpture Dimensions: 11 1/2 in. (29.21 cm)
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