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Philip Kappel
Printmaking
American
(Hartford, Connecticut, 1901 - 1981, New Milford, Connecticut)


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Biography

Philip Kappel was born in Hartford, Connecticut, in 1901, and graduated from Pratt Institute in Brooklyn, New York, in 1924. Three years later he was admitted into Who's Who in America, the youngest individual ever listed. For many years he was employed as an artist by the major steamship lines in the United States, such as, the Columbia Line, American Export Lines, and the Cuba Mail Line. His artwork became a record of shipping, past and present, forming a fascinating collection of the ships and men who sailed them. His technique showed the hand of an illustrator's pen and ink, bold strokes were used for emphasis and clarity of design. At other times he used combinations of light and dark, forming silhouettes, which he learned from the marine artist, Philip Little, while spending summers in Salem, Massachusetts. This silhouette style can be seen in some of Kappel's drypoints, and his illustrations for C.W. Taussig's book, Rum, Romance, and Rebellion. Kappel received many awards for his work. The Bijur Prize, Brooklyn Society of Etchers, 1926, for the print, "Repairs." In 1946, "Off El Morro, Puerto Rico," received a Purchase Prize in the First Annual National Art Competition held by Associated American Artists, New York. First Prize for, "Winter Tracery, New Milford Green," Arts and Crafts Association of Meriden, 1950. First Prize for, "Sugar Maples in Spring, Kappel Residence," Meriden Art Association, 1961. He was the author of several books, the most noted being, Boothbay Harbor-A Portfolio of Sketches, 1924, Louisiana Gallery, 1950, Jamaica Gallery, 1960, and New England Gallery, 1966. The last showing a fond appreciation for his New England heritage, containing 131 drawings and text of the areas most intimate and cherished places. Not only was Kappel recognized for his graphic artwork, but also as an authority on Chinese porcelain, Japanese art, and American and English antiques. He has written and lectured extensively on these topics. In finalizing the works of Philip Kappel, one must state, he honestly and directly recorded the sailing vessels and steamships bound for various ports of call. The men and ships sailing these waters were depicted in the rich burr of drypoint, capturing bright sunlight on paper with open white spaces. His romance with the sea and man's struggle with its elements and quieter moments were fulfilled.

Obituary in New York Times from 1981:
http://www.nytimes.com/1981/03/26/obituaries/philip-kappel-maritime-etcher-and-ex-connecticut-arts-aide.html
Philip Kappel, etcher and former member of the Connecticut Commission on the Arts, died March 17 at New Milford (Conn.) Hospital at the age of 80.

He lived in Roxbury, Conn.

Mr. Kappel made six trips around the world on sailing vessels to gather themes, mainly maritime, for his etchings, which are in major American museums and the Biblotheque National in Paris. He was the author and illustrator of ''Louisiana Gallery,'' ''Jamaica Gallery'' and the ''New England Gallery.''

He was also an authority on Chinese porcelain, Japanese art and American and English period furniture. Mr. Kappel, a graduate of Pratt Institute, was awarded the school's Alumni Medal in 1967. He is survived by two sisters, Julie Mahl of Danbury, Conn., Rose Gould of Jackson Heights, Queens, and a brother, Herman of Phoenix.


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